The Wax Effigy of Sarah Hare
Sarah Hare died in 1744 at the age of 55 of a commonplace accident. It was said that she “used to sew on a Sunday and as a punishment died from pricking her finger. “ Sarah did indeed die after injuring herself while sewing, likely, from septicemia. [She] made no extraordinary contributions to this world except one – a wax effigy of herself, the only such mortuary statue of its kind in England outside of Westminster Abbey [See Also].
Today we know very little about Hare’s life except that she never married and was not very pretty. In a will dated August 1743, Sarah made a series of curious requests:
“This I hope my Executor will see firstly performed before Sunset … I desire to have my face and hands made in wax with a piece of crimson satin thrown like a garment in a picture hair upon my head and put in a case of Mahogany with a glass before and fix’d up so near the place were my corps lyes as it can be with my name and time of Death put upon the case in any manner most desirable if I do not execute this in my life I desire it may be done after my Death.”
Her wishes were met … molded impressions were made of her face and hands, which were poured in wax. She was buried in the Hare mausoleum in Holy Trinity church. Surrounding her closed mahogany cabinet, which is situated in a corner of the vault, are memorials to the Hare family, dating from the 17th-20th centuries.
Her cabinet is plain. A bronze plate engraved with the words – “Here lyeth the body of Sarah Hare…” – its only adornment. Her lifesize effigy has waited for over 250 years behind a pair of mahogany doors for the occasional visitor to find it.
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The Monkey Aristocracy
These monkeys were once a scathing critique on French aristocracy. There is a monkey on a early sort of bicycle called a velocipede, a monkey harpist, a monkey violinist, two small monkey musicians, and an incredible monkey dandy under a large glass dome. All are dressed in fine silks with hair done up in the style of French Royalty. These automata were a post-French-revolution joke on the former rulers and current dandies of France. So popular was the theme of foolish aristocratic monkeys that it was common in French homes, and whole rooms were decorated around the theme.
One such room is the Chateau de Chantilly’s Monkey Room in Paris, France. In the mid-1730s the artist Christophe Huet was commissioned by Louis-Henri, the duke of Bourbon, to paint scenes with monkey vignettes on the walls of an elegant white Rococo salon with gilded stucco ornaments. By 1737, Huet had decorated nearly every surface with a complex allegorical design in which monkeys, fashionably dressed, are depicted in aristocratic pursuits: boar hunting, drinking chocolate, doing their hair, dancing and singing. While the monkeys are charming, they also gently mocked the nobles they represented.
The use of monkeys to poke fun at the rich wasn’t always restricted to art, and often the rich joined in on the fun. “In the early 1700s it was fashionable for aristocrats to keep monkeys as pets. They dressed the monkeys in fancy outfits for comic effect and taught them human tricks, like pickpocketing, that they would display on leisurely walks around Versailles.” Little dressed up versions of humans, stealing treats from the lavish banquet spreads.
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The Indonesian Walking Dead
Toradja people do practice something akin to the rising of the dead. It seems that the people believe that death is a long process, sometimes taking years as the deceased gradually work their way toward Puya (the afterlife). Very elaborate measures must be taken during the funeral to ensure that the loved one makes it safely to that destination.
Because the funeral arrangements are so extensive, they are also very expensive. For this reason, a body is sometimes placed in a temporary coffin. During this time, the family can accumulate the necessary funds to pay for a proper funeral, which includes a cave or hanging casket, a multi-water buffalo slaughter, chanting, singing, music, stone and wooden effigies to protect the soul during travel, and so on.
Once the funds are raised, so is the dead. It seems that the Toradja genuinely believe that the dead are able to walk themselves to their new burial site. More likely, and what we are seeing depicted in the picture, is that the somewhat mummified corpse is removed from its temporary coffin and transported upright to the permanent site. As “corpse walking” is part of the tradition, the body is held in the standing position to simulate ambulation.They say the corpse is agreed using black magic. They do this because the cemeteries are in mountain regions, so no one wants to lead the deceased to the place they must walk alone.
The body follows, guided by an “expert” in black magic, which takes them to the site. However there is a rule, if called by name, the body falls and will not raise again.
(Source: malaysian-ghost-research.org)
King Tut’s grandmother Queen Tiye, the mother of Pharaoh Akhenaten. The hairpiece behind her is believed to have been made up of her own hair. It has not disintegrated because of the mummification process and the dry conditions within the tomb.
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